Monday 16 September 2019

PARIKARMA-PREM SINGH


The Chandigarh Lalit Kala Academy has started a new initiative, PARIKARMA, a Short Art Residency programme at Open Hand Art Studio at Le Corbusier Centre located in Sector- 19. Four eminent Delhi based artists, Mr Prem Singh, Mrs Shobha Broota, Mr Moti Zharotia and Mr Kalicharan Gupta are part of this residency started on 12th September and ending on 15th September. Each day after the day’s artwork is done, these artists give an audio visual presentation about their work followed by an interactive session.

Mr Prem Singh

Symphony on Canvas

The first day of the workshop, on 12th  September 2019, Mr Prem Singh, former Principal of the Government College of Art Chandigarh, talked about his life and his art works .He spoke about his childhood, how his friends during their game play were the first to recognize his talent as an artist. Realizing his potential in art, he further honed his skills as an artist and then there was no looking back .His first stint with fame as an artist was the selection of his painting, that of a flower pot in Lalit Kala during his college days.  

In his earlier works, there is an interesting painting showing children playing hopscotch (stappu). Only the drawing of hopscotch is made on the ground to represent their play, next to this is a cot and a figure lying beside it. Reflecting simplicity, this flat pictorial work has an alluring quality .The simplicity of the artist comes to the fore, giving an insight to the wondrous world of artworks he is set to embark on.

 The artist moves to a mature phase of paintings, depicting his famous veiled female figures. His wife being his muse, who at that time used to wear a veil. There is a haunting quality in these paintings, especially that of a tree and a veiled women next to it.

None of these works prepare you with the pain and anguish that reflects in his works post 1984 riots in India, titled ‘Images of the scarred city’. In these works, the grief does seemingly engulf the viewer, the wail and cries of the grief-stricken rent the air; the veiled figures, here stand for the numerous unknown bereaved families. Rumi aptly says that ‘the wound is the place where the light enters you’. Here in this phase of art work, the artist in a very sombre style conveys his hurt on the lack of humanity in society.

He now embarks to a journey where abstraction in art takes over. His experiments with water and colour culminate to a pinnacle and at this juncture, one of his painting gets awarded in Triennale India International.

 His soul search continues in his paintings; the play of colour, the myriad forms now create symphonies on his canvas. Most eloquent is the expression of the emotions expressed without words, and he does just that, for he masters the art of representing the formless with interplay of forms.
His present day works devoid of colour, are drawings in black and white and have taken a spiritual turn.




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